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Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/26 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/27 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/28 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/29 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/30 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/01 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/02 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/03 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/04 | All Day | Nora Eccles Harrison Museum of Art | More Info

Independence Day

Academic Calendar | Summer Semester

No classes.

7/04 | All Day | Utah State University | More Info

Independence Day

Holidays | Holiday Calendar

USU will be closed July 4 2019 in observance of Independence Day.

7/04 | All Day | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/05 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/06 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/07 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/08 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/09 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/10 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/11 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/12 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/13 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/14 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/15 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/16 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/17 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/18 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/19 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/20 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/21 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/22 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/23 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/24 | All Day | Nora Eccles Harrison Museum of Art | More Info

Pioneer Day

Holidays | Holiday Calendar

USU will be closed July 24 2019 in observance of Pioneer Day.

7/24 | All Day | More Info

Pioneer Day

Academic Calendar | Summer Semester

No classes.

7/24 | All Day | Utah State University | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/25 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/26 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/27 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/28 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/29 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/30 | All Day | Nora Eccles Harrison Museum of Art | More Info

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/31 | All Day | Nora Eccles Harrison Museum of Art | More Info

Small Satellite Conference

Conference/Seminar

Small Satellite Production - Driving a Revolution
During the 33rd AIAA/USU Conference on Small Satellites, we will explore the technical issues, development considerations, and new opportunities that result from an ever-growing trend toward missions using tens, hundreds, or even thousands of small satellites to achieve revolutionary effects.

8/03 | All Day | Taggart Student Center | More Info

Small Satellite Conference

Conference/Seminar

Small Satellite Production - Driving a Revolution
During the 33rd AIAA/USU Conference on Small Satellites, we will explore the technical issues, development considerations, and new opportunities that result from an ever-growing trend toward missions using tens, hundreds, or even thousands of small satellites to achieve revolutionary effects.

8/04 | All Day | Taggart Student Center | More Info

Small Satellite Conference

Conference/Seminar

Small Satellite Production - Driving a Revolution
During the 33rd AIAA/USU Conference on Small Satellites, we will explore the technical issues, development considerations, and new opportunities that result from an ever-growing trend toward missions using tens, hundreds, or even thousands of small satellites to achieve revolutionary effects.

8/05 | All Day | Taggart Student Center | More Info

Small Satellite Conference

Conference/Seminar

Small Satellite Production - Driving a Revolution
During the 33rd AIAA/USU Conference on Small Satellites, we will explore the technical issues, development considerations, and new opportunities that result from an ever-growing trend toward missions using tens, hundreds, or even thousands of small satellites to achieve revolutionary effects.

8/06 | All Day | Taggart Student Center | More Info

Small Satellite Conference

Conference/Seminar

Small Satellite Production - Driving a Revolution
During the 33rd AIAA/USU Conference on Small Satellites, we will explore the technical issues, development considerations, and new opportunities that result from an ever-growing trend toward missions using tens, hundreds, or even thousands of small satellites to achieve revolutionary effects.

8/07 | All Day | Taggart Student Center | More Info

Small Satellite Conference

Conference/Seminar

Small Satellite Production - Driving a Revolution
During the 33rd AIAA/USU Conference on Small Satellites, we will explore the technical issues, development considerations, and new opportunities that result from an ever-growing trend toward missions using tens, hundreds, or even thousands of small satellites to achieve revolutionary effects.

8/08 | All Day | Taggart Student Center | More Info

First Day of Classes

Academic Calendar | Fall Semester

Fall semester 2019 first day of classes.

8/26 | All Day | Utah State University | More Info

First 7-week Session

Academic Calendar | Fall Semester

34 instruction days, 1 test day

From 8/26, All Day to 10/14, All Day | Utah State University | More Info

Labor Day

Academic Calendar | Fall Semester

No classes.

9/02 | All Day | Utah State University | More Info

Labor Day

Holidays | Holiday Calendar

USU will be closed September 2 2019 in observance of Labor Day.

9/02 | All Day | More Info

Second 7-week Session

Academic Calendar | Fall Semester

34 instruction days, 1 test day

From 10/15, All Day to 12/06, All Day | Utah State University | More Info

Fall Break

Academic Calendar | Fall Semester

No classes.

10/18 | All Day | Utah State University | More Info

Thanksgiving Holiday

Academic Calendar | Fall Semester

No classes.

11/27 | All Day | Utah State University | More Info

Thanksgiving Holiday

Academic Calendar | Fall Semester

No classes.

11/28 | All Day | Utah State University | More Info

Thanksgiving Break

Holidays | Holiday Calendar

USU will be closed November 28 2019 and November 29 2019 for the Thanksgiving Break.

11/28 | All Day | More Info

Thanksgiving Break

Holidays | Holiday Calendar

USU will be closed November 28 2019 and November 29 2019 for the Thanksgiving Break.

11/29 | All Day | More Info

Thanksgiving Holiday

Academic Calendar | Fall Semester

No classes.

11/29 | All Day | Utah State University | More Info

No-Test Week

Academic Calendar | Fall Semester

Monday - Friday

From 12/02, All Day to 12/06, All Day | Utah State University | More Info

Last Day of Classes

Academic Calendar | Fall Semester

Fall semester 2019 last day of classes.

12/06 | All Day | Utah State University | More Info

Final Examinations

Academic Calendar | Fall Semester

Fall semester 2019 final examinations week.

From 12/09, All Day to 12/13, All Day | Utah State University | More Info

Holiday Break

Holidays | Holiday Calendar

USU will be closed December 24 2019, December 25 2019, and December 26 2019 for the Holiday Break.

12/24 | All Day | More Info

Holiday Break

Holidays | Holiday Calendar

USU will be closed December 24 2019, December 25 2019, and December 26 2019 for the Holiday Break.

12/25 | All Day | More Info

Holiday Break

Holidays | Holiday Calendar

USU will be closed December 24 2019, December 25 2019, and December 26 2019 for the Holiday Break.

12/26 | All Day | More Info

New Year’s Day

Holidays | Holiday Calendar

USU will be closed January 1 2020 in observance of New Year's Day.

1/01 | All Day | More Info

First 7-week Session

Academic Calendar | Spring Semester

34 instruction days, 1 test day

From 1/06, All Day to 2/25, All Day | Utah State University | More Info

First Day of Classes

Academic Calendar | Spring Semester

Spring semester 2020 first day of classes.

1/06 | All Day | Utah State University | More Info

Martin Luther King, Jr. Day

Academic Calendar | Spring Semester

No classes.

1/20 | All Day | Utah State University | More Info

Martin Luther King, Jr. Day

Holidays | Holiday Calendar

USU will be closed January 20 2020 in observance of Martin Luther King, Jr. Day.

1/20 | All Day | More Info

Presidents' Day

Holidays | Holiday Calendar

USU will be closed February 17 2020 in observance of Presidents' Day.

2/17 | All Day | More Info

Presidents' Day

Academic Calendar | Spring Semester

No classes.

2/17 | All Day | Utah State University | More Info

Second 7-week Session

Academic Calendar | Spring Semester

34 instruction days, 1 test day

From 2/26, All Day to 4/21, All Day | Utah State University | More Info

Spring Break

Academic Calendar | Spring Semester

No classes.

3/02 | All Day | Utah State University | More Info

Spring Break

Academic Calendar | Spring Semester

No classes.

3/03 | All Day | Utah State University | More Info

Spring Break

Academic Calendar | Spring Semester

No classes.

3/04 | All Day | Utah State University | More Info

Spring Break

Academic Calendar | Spring Semester

No classes.

3/05 | All Day | Utah State University | More Info

Spring Break

Academic Calendar | Spring Semester

No classes.

3/06 | All Day | Utah State University | More Info

No-Test Week

Academic Calendar | Spring Semester

Wednesday - Tuesday

From 4/15, All Day to 4/21, All Day | Utah State University | More Info

Last Day of Classes

Academic Calendar | Spring Semester

Spring semester 2020 last day of classes.

4/21 | All Day | Utah State University | More Info

Interim Day

Academic Calendar | Spring Semester

Wednesday

4/22 | All Day | Utah State University | More Info

Final Examinations

Academic Calendar | Spring Semester

Spring semester 2020 final examinations week.

From 4/23, All Day to 4/29, All Day | Utah State University | More Info

Commencement

Academic Calendar | Spring Semester

Spring commencement 2020.

4/30 | All Day | Utah State University | More Info

Commencement

Academic Calendar | Spring Semester

Spring commencement 2020.

5/01 | All Day | Utah State University | More Info

Memorial Day

Holidays | Holiday Calendar

USU will be closed May 25 2020 in observance of Memorial Day.

5/25 | All Day | More Info

Independence Day (Observed)

Holidays | Holiday Calendar

USU will be closed July 03 2020 in observance of Independence Day (Observed).

7/03 | All Day | More Info

Pioneer Day

Holidays | Holiday Calendar

USU will be closed July 24 2020 in observance of Pioneer Day.

7/24 | All Day | More Info

Labor Day

Holidays | Holiday Calendar

USU will be closed September 7 2020 in observance of Labor Day.

9/07 | All Day | More Info

Thanksgiving Break

Holidays | Holiday Calendar

USU will be closed November 26 2020 and November 27 2020 for the Thanksgiving Break.

11/26 | All Day | More Info

Thanksgiving Break

Holidays | Holiday Calendar

USU will be closed November 26 2020 and November 27 2020 for the Thanksgiving Break.

11/27 | All Day | More Info

Holiday Break

Holidays | Holiday Calendar

USU will be closed December 24 2020 for the Holiday Break.

12/24 | All Day | More Info

Christmas Day

Holidays | Holiday Calendar

USU will be closed December 25 2020 on Christmas Day.

12/25 | All Day | More Info

Holiday Break

Holidays | Holiday Calendar

USU will be closed December 31 2020 for the Holiday Break.

12/31 | All Day | More Info



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