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Friday, June 7

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/07, All Day | Nora Eccles Harrison Museum of Art | More Info


Saturday, June 8

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/08, All Day | Nora Eccles Harrison Museum of Art | More Info


Sunday, June 9

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/09, All Day | Nora Eccles Harrison Museum of Art | More Info


Monday, June 10

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/10, All Day | Nora Eccles Harrison Museum of Art | More Info


Tuesday, June 11

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/11, All Day | Nora Eccles Harrison Museum of Art | More Info


Wednesday, June 12

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/12, All Day | Nora Eccles Harrison Museum of Art | More Info


Thursday, June 13

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/13, All Day | Nora Eccles Harrison Museum of Art | More Info


Friday, June 14

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/14, All Day | Nora Eccles Harrison Museum of Art | More Info


Saturday, June 15

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/15, All Day | Nora Eccles Harrison Museum of Art | More Info


Sunday, June 16

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/16, All Day | Nora Eccles Harrison Museum of Art | More Info


Monday, June 17

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/17, All Day | Nora Eccles Harrison Museum of Art | More Info


Tuesday, June 18

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/18, All Day | Nora Eccles Harrison Museum of Art | More Info


Wednesday, June 19

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/19, All Day | Nora Eccles Harrison Museum of Art | More Info


Thursday, June 20

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/20, All Day | Nora Eccles Harrison Museum of Art | More Info


Friday, June 21

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/21, All Day | Nora Eccles Harrison Museum of Art | More Info


Saturday, June 22

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/22, All Day | Nora Eccles Harrison Museum of Art | More Info


Sunday, June 23

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/23, All Day | Nora Eccles Harrison Museum of Art | More Info


Monday, June 24

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/24, All Day | Nora Eccles Harrison Museum of Art | More Info

Second 7-week Session

Academic Calendar | Summer Semester

32 instruction days, 1 test day

From 6/24, All Day to 8/09, All Day | Utah State University | More Info


Tuesday, June 25

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/25, All Day | Nora Eccles Harrison Museum of Art | More Info


Wednesday, June 26

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/26, All Day | Nora Eccles Harrison Museum of Art | More Info


Thursday, June 27

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/27, All Day | Nora Eccles Harrison Museum of Art | More Info


Friday, June 28

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/28, All Day | Nora Eccles Harrison Museum of Art | More Info


Saturday, June 29

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/29, All Day | Nora Eccles Harrison Museum of Art | More Info


Sunday, June 30

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

6/30, All Day | Nora Eccles Harrison Museum of Art | More Info




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