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Events

Monday, July 1

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/01, All Day | Nora Eccles Harrison Museum of Art | More Info


Tuesday, July 2

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/02, All Day | Nora Eccles Harrison Museum of Art | More Info


Wednesday, July 3

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/03, All Day | Nora Eccles Harrison Museum of Art | More Info


Thursday, July 4

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/04, All Day | Nora Eccles Harrison Museum of Art | More Info

Independence Day

Holidays | Holiday Calendar

USU will be closed July 4 2019 in observance of Independence Day.

7/04, All Day | More Info

Independence Day

Academic Calendar | Summer Semester

No classes.

7/04, All Day | Utah State University | More Info


Friday, July 5

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/05, All Day | Nora Eccles Harrison Museum of Art | More Info


Saturday, July 6

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/06, All Day | Nora Eccles Harrison Museum of Art | More Info


Sunday, July 7

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/07, All Day | Nora Eccles Harrison Museum of Art | More Info


Monday, July 8

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/08, All Day | Nora Eccles Harrison Museum of Art | More Info


Tuesday, July 9

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/09, All Day | Nora Eccles Harrison Museum of Art | More Info


Wednesday, July 10

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/10, All Day | Nora Eccles Harrison Museum of Art | More Info


Thursday, July 11

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/11, All Day | Nora Eccles Harrison Museum of Art | More Info


Friday, July 12

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/12, All Day | Nora Eccles Harrison Museum of Art | More Info


Saturday, July 13

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/13, All Day | Nora Eccles Harrison Museum of Art | More Info


Sunday, July 14

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/14, All Day | Nora Eccles Harrison Museum of Art | More Info


Monday, July 15

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/15, All Day | Nora Eccles Harrison Museum of Art | More Info


Tuesday, July 16

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/16, All Day | Nora Eccles Harrison Museum of Art | More Info


Wednesday, July 17

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/17, All Day | Nora Eccles Harrison Museum of Art | More Info


Thursday, July 18

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/18, All Day | Nora Eccles Harrison Museum of Art | More Info


Friday, July 19

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/19, All Day | Nora Eccles Harrison Museum of Art | More Info


Saturday, July 20

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/20, All Day | Nora Eccles Harrison Museum of Art | More Info


Sunday, July 21

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/21, All Day | Nora Eccles Harrison Museum of Art | More Info


Monday, July 22

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/22, All Day | Nora Eccles Harrison Museum of Art | More Info


Tuesday, July 23

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/23, All Day | Nora Eccles Harrison Museum of Art | More Info


Wednesday, July 24

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/24, All Day | Nora Eccles Harrison Museum of Art | More Info

Pioneer Day

Holidays | Holiday Calendar

USU will be closed July 24 2019 in observance of Pioneer Day.

7/24, All Day | More Info

Pioneer Day

Academic Calendar | Summer Semester

No classes.

7/24, All Day | Utah State University | More Info


Thursday, July 25

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/25, All Day | Nora Eccles Harrison Museum of Art | More Info


Friday, July 26

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/26, All Day | Nora Eccles Harrison Museum of Art | More Info


Saturday, July 27

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/27, All Day | Nora Eccles Harrison Museum of Art | More Info


Sunday, July 28

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/28, All Day | Nora Eccles Harrison Museum of Art | More Info


Monday, July 29

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/29, All Day | Nora Eccles Harrison Museum of Art | More Info


Tuesday, July 30

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/30, All Day | Nora Eccles Harrison Museum of Art | More Info


Wednesday, July 31

Collecting on the Edge Part II

Arts/Entertainment

Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation. Texts accompanying each artwork, by eighty-one critics, art historians, curators, gallerists, artists, and collectors, provide illuminating insights into the works and their creators.

In an introductory essay art critic Michael Duncan exposes the provincialism and regionalist thinking that has dictated mainstream views of modernism: “Many of the nation’s most daring, innovative, and iconoclastic works have been ignored…simply because they were made on the wrong side of the Mississippi.”

7/31, All Day | Nora Eccles Harrison Museum of Art | More Info




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